Gregório Taniguchi crafts compelling and unstuffy performances that move audiences. His dedication to rhetoric in music draws listeners to hear historical works as a dynamic and living part of our musical culture, illuminating classics for a modern audience. Contemporary vocal music and new works by emerging composers likewise come alive through his communicative artistry.

Gregório has empowered narratives with an intuitive sense for storytelling as the Evangelist in Bach’s St. John Passion and Christmas Oratorio, Æneas in Cavalli’s La Didone, Miles Zegner in Missy Mazzoli’s Proving Up, and Septimius in Handel’s Theodora. He has toured Ecuador with the emerging ensemble Las Aves and presented historically-informed 17th-century Italian and Spanish sacred repertoire in the cathedrals of Quito during Holy Week. He advocates for the intimate connections created by chamber music and regularly presents recitals of classic and contemporary art song. He has worked closely with pioneers of the early music movement as well as the next generation of scholar-interpreters. Gregório enjoys the alchemy of collaborative ensemble singing, especially with Santa Fe Desert Chorale, Clarion Vocal Ensemble, Seraphic Fire, Cantus, Washington Bach Consort, Oregon Bach Festival, and Staunton Music Festival.